Three Afghan women from different social background, living in Kabul, are facing a big challenge in their lives. Hava, a traditional pregnant woman whom no one cares about, is living with her father and mother in law. Her only joy is talking to the baby in her belly. Maryam, an educated TV news reporter, is about to get a divorce from her unfaithful husband, but finds out she is pregnant. Ayesha, an 18-year old girl accepts to marry her cousin because she is pregnant from her boyfriend who disappears after hearing the news. Each of them has to solve her problem by herself for the first time.
Born in 1985, Sahraa Karimi comes from the second generation of Afghan refugees in Iran. At the age of fifteen, she played as an actress in two Iranian films which brought her to study cinema in Slovakia and graduated with a PHD of directing. During these years, she has made more than 30 short fictions and documentaries, some of which won numerous awards in International film festivals. After 10 years of making many shorts and documentaries, she returned to Kabul. She made two documentaries there which were successful internationally and were broadcasted through ARTE France and BBC. "Hava, Maryam, Ayesha" is her first feature film which was shot entirely in Kabul with Afghan actors.
|Hava, Maryam, Ayesha
|Parlika: A woman in the land of Men||56 min||Documentary||Afghanistan||2016|
|Afghan Women Behind the Wheel||56 min||Documentary||Afghanistan||2010|
|Light Breeze, Memoirs from the Diary of an Emigrant||50 min||Fiction||Slovakia||2009|
|Chris: Paulina||26 min||Documentary||Slovakia||2007|
|Searching For a Dream||26 min||Documentary||Slovakia||2004|
As a female filmmaker from Afghanistan, I promised myself to be the storyteller of my fellow countrywomen who seek to change their lives in a traditional society. By travelling to many Afghan cities and villages, I found real stories from inside my country about women such as Hava, Maryam, and Ayesha. Hava is the example of an Afghan housewife, Maryam is an intellectual and well-educated woman, and Ayesha is a teenager from the middle class. They are trying not to give in to the imposed patriarchal society. Their decision is a form of resistance to their predetermined life. My goal is to narrate the lives of the women who haven’t had a voice for many years, and they are now ready to change their fate.
Venice Int’l Film Festival (28 Aug.- 7 Sept. 2019/Italy) - Orizzonti
Adana Golden Boll Int’l F.F. (23-29 September.2019/ Turkey)
Mill Valley Film Festival (3-13 Oct. 2019/USA)
Busan Int’l Film Festival (4-13 Oct.2019/ South Korea)
Valladolid F.F. (19-26 Oct.2019/ Spain)
Asian World Film Festival (6-14 Nov.2019/ USA)
Kolkata International Film Festival (8-15 Nov.2019/ India)
International Film Festival India “Goa”(20-28 Nov.2019/ India)
Int’l Crime & Punishment F.F. (22-28 Nov.2019/ Turkey)
Hainan Island International Film Festival (1-8 Dec, 2019/ China)
Dhaka International Film Festival (11-19 Jan.2020/Bangladesh)
Katayoon Shahabi started her work in 1982 as a film promoter in the "Farabi Cinema Foundation" (FCF), where she worked with well-known filmmakers including Abbas Kiarostami and had the role of introducing Iranian cinema to the world.
In 1994, she cofounded “Cima Media International” (CMI), a semi-private company that produced and marketed Iranian films and television productions through which some exceptional Iranian directors started their career. This allowed her to gain experience in co-producing successful documentaries and feature films at an international level.
In 2001, she launched her own company, Sheherazad Media International (SMI) and in 2012, her France-based company, “Noori Pictures”. She has produced and co-produced many documentaries with both companies, and had many feature films as well in the festivals like Cannes, Venice … brought prestigious prizes for the Iranian Cinema.
The debut film of many of today’s well-known filmmakers of Iran such as Asghar Farhadi and Mohammad Rasoulof was distributed worldwide by Katayoon.
Being a jury member for fourteen times in international film festivals including Idfa, San Sebastian (as Chairperson), Katayoon was a jury member in the main competition section of the 2016 Cannes Film Festival.
Through my frequent participations in festivals around the world, I’ve noticed an emergence of a new generation of talented Afghan filmmakers to which Sahraa, the director of this movie, belongs. After ten years of studying cinema and working on different movies, she moved back to her hometown, Kabul in order to offer an insight into Afghan society.
When I met Sahraa for the first time and saw her documentaries in Antalya 2016, what grabbed my attention was that she had managed to bring together western techniques of cinema (she has a PhD of cinema from Slovakia) and her Afghan identity that made her film authentic and honest.
She was determined to make her first feature film in Kabul with the money that she had been saving during many years of work, by using local actors and despite security risks that could put her life in danger.
Witnessing her dedication as well as her crew’s to make this first independent film, I was determined to do what I can to finish this film and help it to be seen worldwide by as many people as possible.